Sometimes I explore the excentric layers of the human fabric in a very unstructured, uncontrolled, and reactive way. This process usually starts with an emotion, that occupies a volume in me capable of triggering the urgent necessity of marking that space somewhere on my digital canvas. Then the symbiotic flow process of opening and being opened by it, has its own authority.
I use grids, geometry, and raw pieces of disturbances, to emphasize my intimate relationship with different contexts and situations. I’m very intense in dissecting human nature, politics, exploring the infinite habitat cells – the longing for nature and urban life, the social outcome of (digital) art creation, the evolution of cultural perception, and sense of belonging. My art practice is most of the time a meditative process focused on introspection, exploring and shifting possibilities, and getting closer to the core. I’m very intrigued by the transformative strength I feel it has, and I relish the challenges of this delicate process. While my visual language is sometimes very brisk, the hidden layers talk about the need for diligence, creating time, constantly showing up, and kindly trying to offer each cell, emotion, and thought the gift of undivided attention.
The hurdle is to embrace imperfection with compassion and give flexibility a chance to manifest, give up rigidity, and allow space for growth.